On: March 21, 9:49 pm In: Uncategorized It's 10 or 15 minutes of dilly-dallying in the middle of the movie, where you're trying to not be boring, but it's a weird tension that you're playing with. What’s compelling about Duffield’s adaptation is that it hits hard regardless of age. By using our Services, you agree to our use of cookies. She's such an engaging protagonist, in terms of the journey she goes on, which feels very unusual and different from the high school characters I've seen. As somebody who is adept at writing the poignancy, as well as the comedy, what do you want more from an audience — laughs or for them to cry? The premise of Spontaneous is simple, if unorthodox: Teenagers are spontaneously exploding. "I think 2020 has been the epitome of that and dealing with things that were definitely not part of the plan. Sometimes, bad things happen, and in the face of them, we have to figure out how to keep going. Why 'Spontaneous' is the new horror-comedy about exploding teens you need. For screenwriter Brian Duffield (The Babysitter, Underwater), the book’s outrageous tone — equal parts comedy and heartfelt exploration of contemporary grief — was just what he was looking for with his first writer/director project. This movie makes you think and makes you feel a certain type of way after watching it. In addition to reported cases, descriptions of the alleged phenomenon appear in literature, and both types have been observed to share common characteristics in terms of circumstances and the remains of the victim. Based on the 2016 book of the same name by Aaron Starmer, the film has been described by Duffield as David Cronenberg, known for his gripping work in the body horror … It takes such a weight off of my shoulders to have an actress that good, but also to have an actress that does the work, too. Now, it also applies to the pandemic. While Spontaneous starts as a viral outbreak YA romance, its mounting deaths see the film expertly balancing several conflicting genres and tones, resulting in an ending that — even if you had read the popular black comedy on which it is based — you probably didn't see coming. It's this thing that's a catch-all for any crazy turn life takes that you weren't planning for and have to deal with," he said. Brian Duffield ’s Spontaneous gives us a taste of what one of those explosions looks like at the very top of the film. When students in their high school begin inexplicably exploding, seniors Mara (Katherine Langford), Dylan (Charlie Plummer) and others navigate in a world where each moment may be their last. They're all figuring out different ways of dealing with survivor's guilt, and all these things that I do think kids are dealing with and going through, especially now when we're in a country where tens of thousands of people have died because of the pandemic. I think that was important from the get-go, in terms of A) it's a catch-all device for whatever it needs to be, and then also B) being aware that there's a lot of blood in high school in the movie. It's a progression and it's managing that tone, where you don't want to be too crude or crass about characters dying. Did you want to keep the metaphor as open-ended as possible so it could be fluid for the audience? SYFY WIRE asked Duffield about how he approached translating Starmer’s voice, how he balanced the tricky tone, and how the film hits harder in a pandemic reality. When students in their high school begin inexplicably exploding (literally...), seniors Mara (Katherine Langford) and Dylan (Charlie Plummer) struggle to survive in a world where each moment may be their last.
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