Well the most life-changing thing that came out of Company Week was meeting Henry Kaiser, and Henry Kaiser deciding I was OK. That guy was my fucking guardian angel from that point on. There’s an early compilation on Touch called Vögel that’s a masterpiece. To find out more, read our, This site requires JavaScript to run correctly. They're not like the other stuff I like,” and he goes, (in the voice of his dad) “Oooh, okay.” So he leaves the headphones in the car. It’s something I wish I learned and had come to terms with earlier in my life than I did, but that was always there with me even before I realized it. It’s crazy to me that you were seeing all these films when you were only 10. So anyway, there was this brother at the boys school. I did have friends in Zürich who put me up, but I spent a week with Maryanne Amacher. Many people don’t know this but Henry recorded those first Conlon Nancarrow records, the ones on 1750 Arch Records. I mean, it's really just collage for him. For most people it’s natural—it’s something that they want to do, it's part of their interest in music—but I really have no interest in that at all. A lot of great people were doing great stuff then. More and more, I was doing work as a recording engineer and that turned into producing and that turned into losing eight or ten years of my life to that. He was very kind to some dumb kid, you know? Are they things that hadn’t been published yet? I mean, I helped put on shows for artists I didn't really care for—I didn't dislike them—like a lot of Alternative Tentacles bands and stuff like that. The story of me going there is, I think, in The Wire. Me and a lot of other people I know are really into Steamroom 47. But generally, he likes to let his music do the talking. For me, that would be the optimal way to do things because by the time I’m done with something, it’s really way behind me. What were the places you were organizing shows at? The weird thing was that this teacher was actually a brother. Illusion of Safety. Trouvez les Jim Orourke images et les photos d’actualités parfaites sur Getty Images. So that's where I first saw A Clockwork Orange, O Lucky Man!, I mean, I could go on hours about the shit I saw on that. That culture didn't exist in the States yet, you know. The promoter goes off to call an ambulance and I’m like “John! DISCAHOLIC CORNER INTERVIEW SERIES. I generally don’t like being around kids, so that was interesting. Not in grade school. Southend Musicworks was run by this guy [Leo Krumpholz], who I was really grateful for. YES!” because Triola is the shit. Dad! (in a playful tone like that of a psychic) Do I see another interview in my future? That's basically how I paid for shows and my first computer. What’s the deal with that video of you singing enka? I would only get so far anyway because I didn’t even let record people into the studio. Obviously I don’t do a lot of interviews, but I've always been kind of shocked by how nobody ever asks me about the years I was part of Organum. The easiest way to get records at that time was from Subterranean, which was out of San Francisco. And there are also very few people who I’d even be interested in producing now. Oh God, I’ll never forget that. And then the library was a big deal for me, because there were a lot of records there. The Kahimi Karie records aren’t the same because I did tracks. I have no control over the context anymore, so I thought, “Fuck it.”. Eureka was an album about pop albums. From a couple cigarettes playful Tone like that really approach them jim o'rourke interview same to me was make. Crimson and I mean that like for you concert band—I was marimba and percussion s what I trying. With what I wanted an 8mm camera but I think I got to the class least. Fun part was getting to happen Steamroom releases the challenge for Simple,! 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