Salinger, James Lundquist notes that: Salinger attempts to portray Seymour in the process of deepening his awareness. In “Seymour: An Introduction” Buddy says that Seymour once woke him to say that “he finally knew why Christ said to call no man Fool” “Christ had said it, Seymour thought I’d want to know, because there are no fools (158).” In “Hapworth” he refers to himself as a “young fool” and “foolish.” At what age do you suspect Seymour had the revelation about Christ and the fact that fools are nonexistent? Hamilton also states the story “provides some new Seymour revelations but not as many as we have the right to expect in a first-person document of such forbidding length (187).”. Salinger: An Annotated Bibliography, 1938-1981 there is a small summary of one positive article in response to “Hapworth”. Buddy has just received a registered mail from his mother, Bessie. The story received only the following blurb in the “People” section of the magazine: After six years of painful, reclusive silence, Author J. D. Salinger, 46, has produced another story. In this connection a functioning belief system becomes evident as the infant terrible matter-of-factly prophesies future events in his life and the lives of certain other Glass family members, especially Buddy. For all his very high-and-mighty manner, young Seymour acts as if he were under the spell of a very powerful being; an element of madness happens to accompany his tendency toward religious mysticism. Hapworth 16, 1924 A long letter home from Camp Simon Hapworth by a young, precocious Seymour Glass. But the character that emerges is monstrous, fully as hideous in some ways, as the devil-children in such recent movies as The Omen. "Hapworth 16, 1924" is the "youngest" of J. D. Salinger's Glass family stories, in the sense that the narrated events happen chronologically before those in the rest of the "Glass series". Very little is known about Salinger. Salinger, Revisited, Warren French declares that “any scrutinizing of ‘Hapworth’ has to begin with the acknowledgement that in the course of this bold experiment something went wrong (110).” He goes on to criticize Salinger’s error in failing to end the story sooner: Then in one of those monstrous mischances in the secret history of creativity, at a point where the letter should properly end and Seymour should wait to see if he evoked any response, he finds another pad of paper and takes off again, extending the letter almost half its length over in a pompous display of erudition that many commentators have found simply unreadable (110). Discussion of themes and motifs in J. D. Salinger's Hapworth 16, 1924. eNotes critical analyses help you gain a deeper understanding of Hapworth 16, 1924 so you can excel on your essay or test. Hapworth 16, 1924. Salinger, Zen and Nine Stories by Bernice and Sanford Goldstein. What the story does is to emphasize how oppressive as well as potentially enlightening Seymour’s Influence on his brothers and sisters must be. Luckily, I don’t think I’m the only one. Hapworth 16, 1924 takes the form of a letter to home from camp by 7-year-old Seymour Glass, the eldest of the Glass children. Is “Hapworth” an effective next step in Salinger’s exploration of the Glass Family and their spiritual journeys or do its “unreadable” qualities prevent further insight into their world? 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