Funeral Parade of Roses would never be able to tell this story this wildly if it were made through proper production or distribution channels, so I have to admit one of the things I admire most about it is that it’s a volatile, dirt-cheap experiment that’s likely to alienate, confuse, or annoy a significant portion of its audience at every turn. Directed by Toshio MatsumotoJapan 1969. Cross-dressing club-kid Eddie vies with a rival drag-queen for the favours of drug-dealing cabaret-manager Gonda. It stars Peter as the protagonist, a young transgender woman, and features Osamu Ogasawara, Yoshio Tsuchiya and Emiko Azuma. The film follows the trials and tribulations of Eddie and other drag queens and gay males in Tokyo. : On the Many Faces of Frankenstein. Even in the internet-age, very little information can be found on Toshio Matsumoto’s first foray into narrative filmmaking. The Cinelicious release serves this fabulous film very well. A product of the Japanese New Wave, the film combines elements of arthouse, documentary and experimental cinema, and is thought to have influenced Stanley K… Funeral Parade of Roses | Amsterdam - Swinging sixties in Tokio. A Kaleidoscopic masterpiece, and one of the most subversive, intoxicating films of the 60s, released for the first time on Blu-ray in the UK. AKA: Bara no sôretsu, Funeral Procession of Roses, Parade of Roses. “Funeral Parade of Roses,” by the mixed-media artist Toshio Matsumoto, is a countercultural artifact with an Oedipal bent. Passions escalate and blood begins to flow — before all tensions are released in … It is a cinematographic transgression because it upsets the codes and the rules. But he also feels the futility of trying to rebel using his body/sex as a means of self-expression. Funeral Parade of Roses (薔薇の葬列, Bara no Sōretsu) is a 1969 Japanese drama film directed and written by Toshio Matsumoto, loosely adapted from Oedipus Rex and set in the underground gay culture of 1960s Tokyo. Given its dark undertones, its themes of repression and outsiderdom, it is a film which feels very current as ti asks questions about society’s tolerance and acceptance of those outside the mainstream. Passions escalate and blood begins to flow — before all tensions are released in … “Funeral Parade of Roses” is a fascinating film, a blend of many genres as well as a product of its time. Funeral parade of roses is a meteorite. “Funeral Parade of Roses”, besides being unique because of the cinematography and editing, is a complex movie. Forced to witness them with confidence being themselves, staring right at their audience and declaring ‘I know what I am”. The 1969 film is well-known to have been a major influence on Stanley Kubrick’s adaptation of A Clockwork Orange , and we see this in the sped-up montage scenes set to classical music, the sound design and editing style, and art direction (not to mention the false-eyelashes and the phallic lollipops). Openly resistant in playing into expectations at every juncture and shot with an aesthetic beauty by Tatsuo Suzuki, Funeral Parade of Roses incorporates documentary aspects into its arthouse sensibilities as it observes the troubles of Eddie, a young transvestite in Japan. This article related to a Japanese film of the 1960s is a stub. Blending reality and fiction, goofiness with brutality, and sexuality with violence - Funeral Parade of Roses is a beacon for film's most radical potential. [1], The title is a pun, as "rose" (bara) in Japanese can have a similar meaning to "pansy" in English slang.[2]. 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